Remembering “The Invaders”

37 MinutesAt the end of this year’s Balticon, I scored a copy of a novelization of The Invaders, the short-lived UFO-invasion TV series from the late 1960s.

Ah, fond memories! Growing up in Santa Fe in the late 1980s, I used to watch reruns of The Invaders on the local station along with The Man from UNCLE, The Avengers, and other classics. But for me, the show always stuck out because of its earnestness. Where other sf and adventure shows would occasionally (or, in the case of UNCLE, terminally) slip into camp, The Invaders never did. It took itself seriously — and required viewers to do the same.

The InvadersFans of a certain era recall the brooding voice that launched (seemingly) a thousand series with the words “A Quinn Martin Production.” (The owner of that iconic voice was Hank Simms, BTW.) Well, that label was the mark of quality. Before there was Stephen J. Cannell or Don Bellisario or Glen Larson, there was Quinn Martin — creator of hardboiled classics like Barnaby Jones, The FBI, The Streets of San Francisco, and The Fugitive, which The Invaders most closely resembles.

Every week, the same voice that accompanied Richard Kimble on his quest to find the one-armed man who killed his wife would intone for us the story of architect David Vincent, played by Roy Thinnes:

The Invaders – Alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world.

David Vincent has seen them. For him, it began one lost night on a lonely country road, looking for a short-cut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy.

Now, David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun.

It’s a simple premise, and it works. From the first episode, I was hooked. The writing was terrific, the SFX were top-notch, and the conceits — because the aliens had only four fingers, you could always spot a human disguise because they couldn’t bend their pinkies, and when you shot them they burst into flame and evaporated — were simple and not overbearing. Like all QM Productions, The Invaders was first a show about characters, conflict, and drama. The UFO angle was just a way to cash in on a hot topic in the late 1960s. But the show takes the subject matter seriously enough so that no one seems to be self-conscious (“a show about flying saucers? I need a new agent!”).

The show featured many familiar names and faces from the corral of hardworking regular TV actors of the era, including Suzanne Pleshette, Jack Lord, Jack Warden, Norman Fell, Ed Begley, Ralph Bellamy, and Star Trek icons such as Barbara (“Mirror Mirror”) Luna, Susan (“The Cage”) Oliver, and Alfred (“The Man Trap”) Ryder as “Mr. Nexus.” It ran for two seasons — 43 episodes total — before it was cancelled. Apparently, in 1995, there was a miniseries revival of the show starring Scott (Quantum Leap, Enterprise) Bakula as the poor hapless fellow who stumbles on the secret, with Roy Thinnes reprising his role. I’d never even heard of it until I was researching this article. It doesn’t look like it’s available for rental. The episodes aren’t on Hulu, and there’s not much on YouTube. But there is a DVD set of the complete series out there, with lots of extras and commentaries. Guess what’s on my Christmas list?

Before there was The X Files, V, or even They Live, there was The Invaders. And for my money, the one that came first is still the best.

Check out the opening credits:

And here’s the beginning of episode one:

Get hooked on The Invaders now, thank me later!

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6 Responses to Remembering “The Invaders”

  1. I remember those throbbing purple credits — and I always loved the way the invaders would glow and disappear when they were shot.

    And I’d wholly forgotten about the series but apparently you haven’t, which raises the obvious question: Do you touch type with ten fingers, or only eight?

  2. Paul Lagasse says:

    Actually, I use this cool little glowing cube that types when I speak to it. I picked it up from an interesting guy I met once; I think his name was Gary Seven. He also gave me a silver pen, but I can never seem to get it to work. Maybe if I push this b

  3. Gary Lester says:

    I actually had a model of “The Invaders” ship. I was one of the coolest models I owned. I wish Aurora was still around.

  4. Paul Lagasse says:

    Cool! I saw that model somewhere once. Have you seen the Fantastic Plastic page dedicated to that model? With all those re-releases, I bet you might be able to pick one up from a collector for not too much. The good folks over at Rare Plane Detective might be able to help.

    Didn’t Estes make a flying model rocket of that ship too? I know they did an Enterprise and Klingon ship.

  5. Remember?! Why we’ll never forget!

    I have (literally) for years championed a DVD release of this classic Quinn Martin produced 1960s SF tv series and after much disappointment, dissention, harrassment, frustration plus a lot of stoic patience and unrelenting faith a miracle finally saw fit to happen.

    In some ways I (ironically) came to understand precisely how David Vincent (Roy Thinnes) must have felt in his own personal crusade against the overwhelming odds formidably stacked against him.

    I can’t praise this particular SF-premised television show enough as it seemed to consistently embody an undeniable class and stature that most of its (then) rivals (or contemporaries) would fail to consistently retain.

    Even the (experimental) change in format with the inclusion of “The Believers,” THE INVADERS (ABC 1967-68) still remained a captivating and diverting hour’s worth of good solid drama and unabashed suspense-charged excitement.

    Certainly THE INVADERS warranted a much longer primetime network run than it was afforded.

  6. Paul Lagasse says:

    So we have you to thank for the availability of “The Invaders” on disc? Well, then — a most hearty and well-deserved THANK YOU! from all of us fans.

    Perhaps if a new generation of fans were to watch this classic of TV science fiction storytelling at its best, they might demand more of that kind of thing from today’s producers.

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