Category Archives: 37 Minutes

Channel 37’s roundtable talk show. Commentary, discussion, interviews, in-depth features, and humor (of course) related to all things science fiction.

The Five Most Science Fictional U.S. Airplanes of the 1950s-60s

37 Minutes(plus one honorable mention)

Beginning in the late 1940s, the spaceships that streaked across the covers of science fiction magazines and books underwent a subtle but definitive change. Artists were no longer taking their design cues from the streamlined look of the 1930s; instead, the bullet-shaped rockets of the pulp era gradually gave way to vehicles with bubble canopies, stainless-steel plate fuselages, aggressive nose probes, and svelte teardrop fuel tanks perched on swept-back wingtips.

In those heady days, when science seemed to be catching up to science fiction one invention at a time (Jet and rocket engines! Nuclear-powered submarines! Space satellites! Television!), it’s hard to tell whether the artists were influencing the engineers, or the other way around. Perhaps, for just the briefest of moments in history, it was an ideal balance of both.

For imaginative kids growing up in the 1950s and 1960s, who wouldn’t want to join the U.S. Air Force and learn to fly the airplanes that looked like they had just flown out of the pages of their favorite stories? Here is a celebratory retrospective of some of the most inspiring — and inspired — designs from that era.

Convair XF-92

Can also be used to play the world's fastest game of Jarts.

#5: Convair XF-92 — Delta wings were a staple feature of science fiction spaceships of the 1950s-60s. The aggressive simplicity of a triangular wing is the distilled essence of the era’s high-speed aesthetic. And in the United States, the undisputed master of the delta was Convair. (Say that name out loud — Convair — doesn’t it even sound like it’s from the future?)

The spiffy XF-92 was the prototype for the delta winged fighters and bombers that came later, but of all its descendants, it’s the one that most resembles a spaceship. The long, tubular fuselage suggests a rocketship heritage, while the wings and tail seem almost comically exaggerated for effect. And yet, it really flew — and flew well, according to Chuck Yeager, who would know.

North American XB-70 Valkyrie

Today is a good day to fly.

#4: North American XB-70 Valkyrie — North American’s intimidating delta-winged Valkyrie looked like it had flown straight from the Klingon homeworld. And apparently it behaved like it, too. Designed to fly at supersonic speeds to avoid enemy missiles, the Valkyrie never entered production, and ultimately did not herald the future of strategic bomber design. Nevertheless, this sleek behemoth looked like it could have ben one of the muscular spaceships that graced the covers of The Magazine of Fantasy & Science Fiction in the late 1950s

North American XB-70 original concept

XB stood for Extra Bad-ass.

And if the actual Valkyrie wasn’t freaky enough, check out what it might have looked like. Aim a squadron of those at the bad guys, and they’d surrender from being completely and utterly out-awesomed.
Chance Vought XF5U-1

Apparently this is the Chance part of Chance Vought.

#3: Chance Vought XF5U-1 — The other dominant design aesthetic of the 1950s-60s in science fiction design was, of course, the flying saucer. During the “scares” of the early 1950s, newspapers were filled with stories of disc-shaped spaceships buzzing motorists on secluded roads or landing in abandoned quarries to spread the word of the galactic federation.

Serious science fiction magazines tended to avoid overly saucer-ish spaceship designs, probably out of a desire to avoid being lumped in with the likes of Fate in the minds of readers. But monster movies relied on the design heavily; most of the creatures that arrived on Earth to terrorize, colonize, or (occasionally) enlighten the human race came via circular spaceships. And occasionally, for example in Forbidden Planet, we returned the favor.

The Chance Vought company was known for its radically interesting designs during the 1950s, only a few of which ended up in production before the company struck gold with its super-sleek F-8 Crusader, which John Glenn made famous in his 1957 record-breaking nonstop coast-to-coast supersonic flight. One of the more unorthodox designs — even by Vought’s standards — was the so-called “Flying Flapjack,” the XF5U-1 prototype fighter. Not a true flying saucer in the classic “alien spaceship” sense, it had the makings of a classic fictional design anyway; twin jet intakes, bulbous canopy, and ridiculously oversized propellors. In other words, if the Flying Flapjack hadn’t actually been invented, someone would have had to invent it.

Douglas X-3 Stiletto

The idea was to scare the air out of the plane's way.

#2: Douglas X-3 Stiletto
— Few things say fast like the Douglas Stiletto. I mean, seriously. Just look at this thing. It’s like they stuck the wings and tail on just to give the pilot something to play with while the plane did whatever the heck it felt like doing up there in the thin air. This thing looks like it would bite your hand off if you tried to pat it on the nose.

Unfortunately, the great promise of the design was let down by its engines. The Westinghouse company, better known for refrigerators and elevators than jet engines, promised to deliver an engine that would fly the Stiletto to Mars and back before lunch — so the Douglas folks took them up on the dare and designed the plane to take two of them. But the engines sucked everything except air, and so the plane never flew as fast as it was designed to. Apparently, this didn’t make the Stiletto very happy, because it tried really hard to kill test pilot Joseph A. Walker, who smacked it right back and thereby managed to avoid the fate of fellow test pilot Steve Austin.

Lockheed F-104 Starfighter

No, this isn't an F&SF cover by Emshwiller. Really.

#1: Lockheed F-104 Starfighter — Here it is — the complete package. From the probe-tipped nose cone to the bubble canopy, to the stubby raked wings two-thirds of the way down the super-sleek rocket-shaped fuselage, to the chrome-like bare metal finish, to the wingtip fuel tanks, and — just because they could, apparently — to that rakish T-tail. And then there’s the name: Starfighter. It’s like they all knew that they had just built the coolest plane ever, so why not just admit it?

There’s a reason they called it “the missile with a man in it.” The Starfighter was originally designed to take on high-flying enemy bombers; the pilot’s job was basically to point the nose at the enemy and hit the “go” button. But over the years they discovered that the Starfighter was also a really rugged all-around fighter; ultimately nearly 2,600 (!!!) were built, serving in more air forces than just about any other American jet fighter and lasting an astounding 46 years before the last one was retired. Or, more accurately, successfully chained to the ground.

From its looks to its name, the Starfighter is the hands-down champion science-fictional U.S. airplane from the golden age of the 1950s-60s. Because this is what the future once looked like.

Boeing B-47 Stratojet

Your favorite Airbus calls this plane granddaddy.

Honorable Mention: Boeing B-47 Stratojet
— I know what you’re thinking: “What’s so futuristic about a plane that looks just like every commercial airliner out there?” My answer is this: What you really should ask is, “Why does every airliner out there look like this plane?”

That’s what is truly science fictional about the Stratojet: quite simply, it established the Aristotelian perfect shape for multi-engined jet aircraft. Before the Stratojet, jet airplanes came in every shape imaginable. After the Stratojet, every big jet looked like — well, like the Stratojet. That’s pretty impressive for a design that was conceived right after World War II, isn’t it?

In the 1950s and 1960s, science fiction artists showed us what things might look like in the future. The engineers at Boeing showed us what they actually would look like. Thanks, guys!

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Hyperspace, Warp Drive, and Wormholes

37 MinutesLast week it was announced that neutrinos are not faster than light after all. As we reported in October (Faster than What?), tests at CERN seemed to indicate that neutrinos were actually faster than light. CERN then asked if any other lab had these results.

The whole scientific community took up the challenge. Sadly, it seems neutrinos are bound by the same old Einsteinian speed limit. So what are we, as science fiction aficionados to do?

Well we always have Hyperspace, Warp Drive, and Wormholes to rely on. After all, they have been powering science fiction for years and years. Here is a brief overview of these three elements of science fiction space travel.

Hyperspace

Hyperspace was one of the earliest forms of faster than light travel. It relied on a ship (person or etc) transferring to another dimension (hyperspace) and reappearing elsewhere in the space time continuum.

Hyperspace was extremely unreliable. One could reappear in an asteroid (remember the game “Asteroids”?), in a planet ala “Defender”, or even in an atmosphere as per “Marooned on Planet X“.

Rarely is hyperspace used in current stories.

Warp Drive

Warp Drive is part of the whole Star Trek world. The drive allowed to ships to travel faster than light. Scientifically, the ship itself did not travel faster than light. The engineering to warp drive is somewhat complex.

Star Fleets ships were powered by dilithium crystals. These crystals channeled the energy of matter and anti-matter. As everyone knows, should matter and anti-matter come together, the result would the end of the universe.

What the dilithium crystals do is combine this energy in a way that doesn’t bring total destruction, but messes with the whole time/space continuum. It basically “warps” space. As space warps, the ship travels in a straight line. Very much like the “sine” wave.

The higher the “warp” the faster the ship will travel, achieving faster than light speeds, without actually traveling faster than light.

Wormholes

Wormholes are a rather new feature to science fiction space travel. Wormholes are like shortcuts through space. Wormholes are unpredictable. As in the case of Star Trek: Voyager, this journey may only be one way.

The movie and series “Stargate” was based on this principle. An older wiser race, developed ways of harnessing wormholes for travel to various planets, including earth.

Wormholes are little dimensional rips, allowing access to places massive distances away. This is a way of travelling without breaking the speed limit of the universe.

As of yet, Albert Einstein has not been proved incorrect. Although every now and then there seems to be a little loophole. Someday, perhaps that loophole will turn into a wormhole.

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Meet the Green Girl

37 MinutesGary Lester’s eight-part serial The Green Girl debuted on Channel 37 on March 10, 2011. The complete serial has since been published as an e-book and is included in our brand-new print anthology Channel 37: Season One!.

To celebrate the one-year (official) anniversary of Channel 37, the Green Girl herself appeared at Balticon 46 this past Memorial Day weekend. David Joyner of the Annapolis Chapter of the Maryland Writer’s Association was able to pull the Green Girl away from her official duties for an interview:

Channel 37 thanks David Joyner for doing the interview and editing it for the web!

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Space Monkeys!

37 MinutesWhat is cooler than a monkey? Well, a monkey in space is what!

Years ago the United States and the Soviet Union were engaged in a “Space Race” to see who could successfully launch an astronaut and return him safely to Earth. The race effectively ended once the United States landed on the moon.

Obviously, humans were jot just launched into space without testing. Animals were used in intial testing by both sides. The Soviets used dogs and NASA used monkeys.

Most of the early attempts by NASA ended in failures, the monkeys died either going to space or returning home.

Fifty-three years ago, an important breakthrough occurred. A Jupiter AM-18 rocket lifted off carrying a rhesus monkey named Able and a squirrel monkey named Miss Baker. The two monkeys survived the launch and returned safety to Earth.

Unfortunately, Able died June 1st from infections relating to the monitoring equipment. She is on display at the Smithsonian Air and Space Museum. (see photo)

Miss Baker lived another 27 years and passed away on November 29, 1984. She is buried in Huntsville, Alabama at the United States Space and Rocket Center.

One of our fellow MWA members, Joseph Guion, was involved with the recovery of the capsule containing Able and Miss Baker. He shares the story of the event in a BBC interview. We would like to thank BBC for the special formatting of the story to meet Channel 37 guidelines.

You can hear the exciting interview here It’s about ten minutes long.

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Balticon 46: Return of the Pulps

37 MinutesGreetings, regular Channel 37 readers and new friends from Balticon 46 and all the ships at sea. We interrupt our regularly-scheduled serial to bring you a special edition of 37 Minutes with news on the highlights of the last four exciting, action-packed days.

First of all, it was great to meet so many of our regular readers in person, and thrilling to be told by so many people, “Channel 37? I’ve heard of you guys!” The praise we received from fans and professionals alike buoyed us immeasurably. Thank you, all of you, for your support and your readership. We promise to continue to produce stories and features that are worthy of it.

Perhaps the most important theme that wove through many of the panel sessions on which we participated is the continued rise of serial science fiction in e-print format, and the slow but steady growth of paying markets for short fiction. In addition to the continued success of e-book versions of such industry stalwarts as F&SF and also of born-digital publications such as Clarkesworld, the resilience of FlagShip magazine — published by our table-mates, Flying Island Press — gives us hope, as does its recent transition to a monthly schedule.

Paul and Gary at the Science Fiction Collective table at Balticon 46

There is still much experimentation to be done. For example, what is the ideal form for serial and short fiction? Is it a traditional subscription-based magazine publication such as the above-mentioned? Is it perhaps in anthology form, such as Brand Gamblin opined at our panel on the future of serial fiction? Is it in the form of a free or subscription-based blog, such as the amazing Daily Science Fiction, which is well into its second year?

One thing that seems fairly certain, according to Scott Sigler, with whom we shared a panel, is that serial fiction is likely to migrate from podcast audio to digital text as its primary home. Podcasting, he believes, has owned serial and short fiction for so long because not only were the methods of production fairly simple, but the methods of mass distribution and revenue generation — thanks largely to Podiobooks — were in place fairly quickly to help authors monetize their stories.

On our last panel, with fellow distinguished guests D.C. Wilson, Brand Gamblin, and Nathan Lowell — who kindly agreed to step in as moderator at the last minute — we discussed the obvious need for serial fiction to have something similar, in order to begin to reach a similar critical mass. The most exciting moment of the whole weekend for me was when Brand said that he’s had a cool domain name for a year that he’s been looking for something to do with, and creating a “Podiobooks for e-zines” would be a perfect use for it. Channel 37 is proud to say that it will be working with Brand to help bring this most amazing prospect to fruition in the near future.

Gary Lester reads from "They Came from New Jersey!" at Balticon 46

Gary Lester reads from "They Came from New Jersey!" at Balticon 46

During the panel, which was titled “Serialized Science Fiction: the New Pulps?” Nathan asked the important question, “Why ‘pulps’?” To which Paul replied, “Because it’s still the wild frontier right now.” Revenue-generating e-zines for short and serial science fiction magazines are an untested market just like they were 90 years ago, when they first emerged in science fiction. The low cost of distribution via the Internet — analogous to the early days of pulps, when they could be shipped in bulk by rail instead of mailed by comparatively-expensive post — promise a lower break-even point for publishers and higher pay for authors. And the advent of so many channels of distribution means that we face a lot of experimentation to determine how people will want to pay for and read their fiction.

“We’re at the point where we need to throw a lot of spaghetti at a lot of walls to see what sticks,” said Channel 37’s Paul Lagasse. “And I have a lot of spaghetti.”

“I think that’s going to be my favorite quote from this convention,” noted Brand.

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Channel 37 at Balticon 46!

37 MinutesLater today, Gary and I will be landing our scout ships at the legendary Hunt Valley Marriott for Balticon 46, one of the country’s longest-running annual science fiction conventions, and one of a handful to focus primarily on science fiction in its written form — although it certainly embraces new media in all its current forms too. Gary and I have been attending annually for many years, and of course last year’s Balticon marked the official launch of Channel 37.

So it’s our birthday! We hope you’ll celebrate it with us whether you’re here in person at Balticon with us, or one of our online friends who will lift a glass virtually with us.

Channel 37 Season One! CoverAnd speaking of birthdays, this year we’re happy to announce the publication of our first print book (to complement our growing list of e-book offeringsChannel 37: Season One!, featuring the complete stories from our launch to the end of 2011. Season One! features:

  • The Terror from the Other Dimension!
  • They Came from New Jersey!
  • The Green Girl
  • Eva Golemina and the Calvert Street Sorceress
  • Eight stories from The Event Horizon
  • Three multi-part episodes of Space Repairman
  • Plus: brand-new “introductions” to each story explaining the (completely fictional, but really cleverly written) back-stories of each of the serials

The book is currently available exclusively at Balticon 46, after which it will be available for sale on Amazon. An e-book version will also follow.

The Science Fiction Collective LogoWe’ll be updating this entry throughout the weekend with news, photos, recaps, and more. Gary and I are going to be on lots of panels, so if you want to track us down at the con, look us up on the program schedule or download the pocket program in handy PDF form. In between sessions, we’ll be wandering the halls, attending as many of the great program offerings as we can, and staffing the Science Fiction Collective table. Look for the silver rocket with the crossed mike and pen!

Cheers, and happy conning!

# # #

Friday Highlights:

A very fun whirlwind of a first day. Some memorable moments: being on a panel on serial and serialized fiction with Scott Sigler and having him say that five years ago, he was right where we are now, and that what we’re doing with Channel 37 is the way of the future! The 11 pm panel on narratives in new media with Jared Axelrod and Patrick Scaffido covered a lot of thought-provoking ground and was the perfect note to end on.

Sunday Highlights:

A slower day in the dealer room, but lots of opportunities to chat with readers and other writers. Compton Crook Award winner (and regular C37 re-tweeter) T.C. McCarthy dropped by to say hi and to tell us how much he likes Channel 37 – real Moment of Squee!!

Gary and Paul wrapped up the day with a really fun panel on the ups and downs of blogging with Helen (Cynical Woman) Madden and — of course — Patrick Scaffido, who is fast becoming one of our favorite people!

Monday Highlights:

Unquestionably the highlight of our day, and perhaps of our whole convention, happened on our “flagship” panel, “Serialized Science Fiction: the New Pulps?” (Admittedly, we should have used the word “Serial” instead, but the distinction did generate some very interesting discussion.) Bringing full circle the discussion that began on Scott Sigler’s panel on Friday, indie publishing superstar Nathan Lowell was in attendance, and he kindly agreed to step in as moderator at the last minute. The resulting discussion was far- and wide-ranging, with much valuable input from the audience, and resulted in a most promising prospect for the future — the potential for a “Podiobooks for e-zines,” to help boost distribution and monetization of e-zines. The panel attendees heard it first, and now you’re hearing it second. Get the details in Tuesday’s special edition of 37 Minutes!

And the day wouldn’t have been complete without a farewell appearance from our friend Patrick Scaffido, who dropped by the table — jug of water in hand, of course — to buy a copy of our book and to wish us well in the coming year, to which we gratefully reciprocated.

We left Balticon 46 much, much lighter than we arrived — not only because we were carrying many fewer copies of our books, nor because we hadn’t eaten much in four days, but also because we were buoyed by the heady panel discussions, inspiring ideas and plans for the future of e-publishing, the countless serendipitous conversations at the table and in the halls, and the many new friendships we made over the course of four wonderful days.

Onward to the year ahead! And don’t forget: keep watching the skies . . .

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The First e-book

37 MinutesIn the very few years of their existence, e-books have become more and more popular. The younger crowd loves the portability of having hundreds of books on one device. The older crowd loves expanding the font sizes, the back lit screens. Everyone loves the convenience of on-the-fly downloading – and, of course, the prices!

There is also massive competition for your e-book dollar. Kindle by Amazon, Nook by Barnes and Noble, ibooks by Apple are the major players. There are several minor players in the field also. (By the way, you can check out Channel 37’s fine arsenal of e-books here.

Ever wonder what was the first e-book? The first book about an e-book was published in 1979. Douglas Adam’s Hitchhikers’ Guide to the Galaxy was essentially a book about an e-book, entitled, The Hitchhiker’s Guide to the Galaxy.

The Hitchhiker’s Guide to the Galaxy (the e-book) published by Megadodo Publications, contains everything anyone wanted to know about the galaxy. One of the “hitchhikers” who use this book, Ford Prefect, takes the hapless Englishman, Arthur Dent, to various adventures throughout the Galaxy. The book is invaluable due to the information stored about the Galaxy.

In an ironic paradox sort of thing, the first e-book was not available as an e-book until September 29, 2010. Anyway, you can find it at Kindle here.

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20 Years of Wolfenstein? Try 30+

37 MinutesTwenty years ago yesterday, Wolfenstein 3D appeared and almost immediately became a classic. It helped lay the groundwork for today’s ubiquitous first-person shooter games. In celebration, Bethesda Software is even letting people play the game for free online.

However, for some of us old-timers, Wolfenstein 3D seemed too good. I remember when it came out, how much I wish I still had my Apple //e so that I could go play the 2D awesomeness of the original Castle Wolfenstein, which came out in 1981:

Or better yet, Beyond Castle Wolfenstein:

Ah, the memories. The hypnotic tikky tikky tikky tikky tikky tikky tikky tikky of the marching soldiers punctuated by your character’s running footsteps. The robotic guards calling “Halt! Komen zie! Ausweis! Heil!” as you flashed your little white pass at them. The droning monotony of the escape once you planted your bomb by Hitler’s bunker and tried to get out before it went off in 999 seconds.

Now that’s gaming.

I admit it, I never quite got out of the 16-bit gaming world. Most of the games on my iPod touch are either redos of the Apple and arcade games of my day, or variations thereof. I like my games cartoonish, flat, and unreal. (“Like your science fiction!” I hear the wags saying.)

Oh, and a couple other favorites of mine from the Apple //e days:

Bolo, from 1982:

Crossfire, from 1981:

And Choplifter, also from 1982:

Happy gaming memories! May you dream in 16-bit 2D, like me.

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Science Fiction Comes to Fantasy!

37 MinutesThis year at CinemaCon a new world opened up.

Peter Jackson’s version of The Hobbit was previewed showcasing the latest evolution of cinematic form: 48 frames per second technology.

What does 48 fps mean to the movie industry? Everything!

This brings digital technology to full features films on the big screen. Basically, it’s HD Movies. The movie industry is entering a new era. This news is as big as “talkies”, “Color”, and “SurroundSound.”

Of course, this bold move has is detractors. The fact that 24fps has been around since the 30’s means a significant change to viewing movies. Many have said they will not like the change, others will wait and see what happens.

Not all of the theatres will have this technology, so fans will be able to pick and choose.

Meanwhile, here’s the trailer for Part I of The Hobbit.

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It’s All Spock’s Fault

37 MinutesAs you have probably heard, last week the Chicago Tribune published an obituary for facts. The obituary offered this post-mortem from Mary Poovey, a professor of English at New York University:

“There was an erosion of any kind of collective sense of what’s true or how you would go about verifying any truth claims,” Poovey said. “Opinion has become the new truth. And many people who already have opinions see in the ‘news’ an affirmation of the opinion they already had, and that confirms their opinion as fact.”

The real cause of death, however, was not revealed in the obituary. As revealed here on Channel 37 for the first time, the truth is this: fact was subjected to logic deprivation.

Logic is defined as the study of valid reasoning, as established by valid argument. Facts — whether physical, philosophical, legal, mathematical, or otherwise — are basically the agreed-upon results of valid arguments. Logic is, in essence, the umbilical cord that keeps facts fed and nurtured. If no one can agree on what’s a fact anymore, then it’s probably because people don’t know how to use logic to determine a fact in the first place. No logic, no facts.

Spock

"Who, me?"

Before I proceed any further, a disclaimer: I am a lifelong Star Trek fan. So it pains me to say that I think the origins of the current Logic Gap can be traced to everyone’s favorite science fiction alien, Mister Spock. Let’s face it, when most people hear the word “logic,” they think of the pointy-eared, blue-shirted science officer from the Enterprise. Not Aristotle, who invented it. Not Bacon, or Frege, or Russell, who refined it.

Let’s look at a couple of the popular misconceptions about logic that have permeated our cultural consciousness since the advent of Star Trek:

  • To be logical is to be unemotional. Vulcans eschewed emotion for logic, thereby establishing them in our minds as polar opposites. But there’s really nothing about logical argument that requires the practitioner to be devoid of excitement, passion, anger, or sadness. The validity of an argument can be compromised by emotion if the practitioner lets the emotion introduce a flaw into his or her argument, but that’s not the same thing.
  • Spock’s logic counterbalanced Kirk’s intuitive nature and McCoy’s emotional sentiments. Actually, Kirk and McCoy were incredibly logical people. Kirk is the guy who talked at least two computers and a robot (Landru, the M-5, and Nomad) into self-destructing by using irrefutably logical arguments. I mean, to convince a computer to blow itself up takes big logical cojones. And McCoy is an excellent diagnostician (you have to be, to figure out which alien disease is afflicting this week’s poor redshirt). Diagnostics is a logical process. Both Kirk and McCoy were known for their emotionality, and yet they routinely pulled off logic that rivaled what Spock was reputed to be able to accomplish. (See previous point.)

Spock

"My God, you're right!"

In today’s popular sentiment, we’ve taken “calm” to be the same thing as “logical.” We don’t test the argument; we test the demeanor of the person making the argument. It’s an old trick of rhetoric to get your debate opponent to become emotional. But the reason for doing that used to be to try to them off their argument. Now, it’s to demonstrate the invalidity of their argument because the person is emotional.

We can and should take comfort from the fact (*ahem*) that facts aren’t really dead where it truly matters — facts and the logic that feeds them are still very much alive and well in the law, science, mathematics, and medicine. But in the popular culture, there are a lot of people out there who are making persuasive arguments that they claim are logical and rational, but which aren’t being tested on the merits. We need to be doing a lot more of that.

xkcd - Wikipedian protester

Logic is the art of verifiable argument -- the key word being "verifiable."

Fact isn’t quite dead yet. We need to resuscitate the art of skilled logical argument in daily life if we want to survive as a society.

It’s only logical.

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